Dr. Robert E. Webber, an expert on Christian Worship, Northern Seminary professor and a friend of mine, has long talked about “convergence” in worship.
Many churches go through what pastors and church growth leaders call “the worship wars.” So bitter and so intense is the disagreement as to style, methodology and instrumentation in the worship service that churches often experience deep division over various aspects of worship, and especially music. Often, musical style is presented as both the problem and the solution to worship-related ills.
Doubtless, style does contribute to worship’s effectiveness for a given demographic. But, as Webber often points out, style is “indigenous.” Style will vary from place to place, even within the same tradition. More important is intent. As he said in class, “the lack of intent in ritual is dead.” The ritual of which he speaks is broadly-defined. It can be anything from Catholic/Orthodox liturgy, to traditional Evangelical Protestant services, to the Pentecostal and non-denominational format, to home church services.
All participants in a worship service, whether in pulpit or pew, up front or in back, must “do worship” intentionally for it to be effective. Those in the “up-front” positions, whether musicians, readers, speakers or actors must see their actions as intended to enable and empower the worship of all the rest, while they themselves worship God.
In worship, as Webber says, we tell The Story. Worship is “the rehearsal of our relationship with God, telling the entire story every time.” That story is creation, incarnation and re-creation, centered in the event of Jesus Christ. This is worship’s fundamental content.
If this is not the content of our worship services, we are missing something - and perhaps it is not even Christian worship. This content, then, is packaged into a “fourfold pattern”:
- Gathering
- Word
- Table
- Dismissal
The content of worship (i.e., the story of creation, incarnation and re-creation), is structured in this fourfold pattern, which leaves room for any number of styles - formal and informal, traditional and contemporary, new and old.
Where “convergence” comes in is in this area of “style.” In convergence worship, we seek to take an eclectic mix of forms (whether musical, verbal or visual) from multiple decades, traditions and tastes to form a locally-unique (i.e., indigenous) blend of style. This prevents us from setting up the “us vs. them” issue often discovered when congregations attempt to substitute contemporary (think rock band) for traditional forms or vice versa. Instead, we seek to discern what particular convergence expresses the worship style of both the worshipping community and the community to which we are called in mission to serve.
Because, after all, it’s not all about us.